The period of the Epics stands in mid-way between the Vedic and Classical period of Sanskrit literature. The term Itihasa has etimological sense, Iti-ha-aasa, meaning thereby “It happened like this”. So the Itihasa presents the account of an occurrence that took place long ago. The Akhyana refers to the narration of an old story.
Of the two Epics, Ramayana
and MahaBharata, Ramayana is the old. The heroes of the Epic Ramayana are mentioned
in the MahaBharata epic, but not a single character of MahaBharata Epic found
mentioned in the Epic Ramayana. The Ramayanopakhyana
in the Vana-Parva of MahaBharata was narrated to console Yudhishthira to
overcome from the impediments.
Ramayanam
Ramayanam
is said to be the first Kavya and its author Valmiki is called as Adikavi. It
is one the most interesting and elevating Kavyas. Narada narrated the story of Rama on the
request of Valmiki. After sometime Valmiki proceeded to the river Tamasa. On
the way he saw a hunter killing the mate of a Kraunca bird couple. This
disturbed the feelings of Valmiki. Having merged into the universal compassion
he pronounced a curse on the hunter and that came in the form the following
verse:
'maa inaYaad p`itYzaM %vaM Agama:
SaaSvatI: samaa:. ya%ËaOHcaimaqaunaadokM AvaQaI: kamamaaoihtma\..’
Valmiki
could not believe himself as the author of this verse. Brahma appeared before
him and explained to him the process of composing poetry. He requested Valmiki
to continue this art by recording the story of Rama. He also blessed him that
he would know the secret happenings in the life of Sri Rama. Valmiki who was
experiencing an immeasurable grief on seeing the death the Kraunca bird decided
to compose the long history of Sri Rama’s life in the same sentiment. This is
evidenced in the statement of Kaidasa ‘Slaaok%vamaapVt yasya Saaok:’.
Ramayana
as it is available today consists of seven Kandas. They are baala¹AyaaoQyaa¹
AarNya¹ikiYknQaa¹saundr¹yauw¹]<ar¹kaNDs.
It is said to contain 24000 verses. It is called as 'kavyama\Ê puravaR<ama\Ê
Aa#yaanama\Ê [ithasa:Ê,,, saMihta .
As it is recited with the accompaniment of instruments it is also called as
Geetham.
Ramayanam has become a popular book at
the hands of all the people of India high and low, Prince and peasants, Noble
men and artisans. All of them are quite familiar with the characters and the
story of this great epic. It is held in great esteem by the Hindus. It is used
for daily recitation by the pious. The following are the causes for its
popularity.
MAHABHARATAM
This great epic Mahabharatam is 8 times bigger
than the Homer’s Iliad and Odyssey put together. It is said to have been
written by the great poet Vyasa. But the lack of homogeneity, historical
anachronisms, internal and external evidences, varying styles, stories that do
not have any direct link with the main plot, the description on the various
branches of learning, the philosophical explanation and various other factors
prove that the original work has been amplified. At present we see Mahabharatam
consisting of nearly one lakh verses including the supplement Harivamsa. It is
divided into 18 sections called ‘pva-’ (Parva). The 18 Parvas are ‘Aaid’ ‘saBaa’ ‘vana’ ‘ivaraT’
‘]Vaoga’ ‘BaIYma’ ‘d`aoNa’ ‘kNa-’ ‘Salya’ ‘saaOiPtk’ ‘s~I’ ‘Saaint’
‘AnauSaasana’ ‘ASvamaoQa’ ‘AaEamavaaisak’ ‘maaoxa’ ‘mahap`sqaana’
‘svagaa-raohNa’ – pva-s. Among them
the ‘Saantipavra-’ is the longest Parva containing about 14700 verses and the
last one is the shortest one with 200 verses.
After composing the Mahabharatam it is believed that Vyasa had taught
the same to his disciples. The theme of the work was a war between two cousin
brothers over the kingship of a large territory. But in the present volume of
Mahabharatam we have a number of queries raised by Janamejaya and other sages
and answers given by Vaisampayana and others. This is evidenced in the prefixes
like ‘vaOSaMpayana
]vaaca’ ‘?Yaya }cau:’ ‘janamaojaya ]vaaca’
etc. How can these questions and their answers have formed part of the original
text composed by Vyasa? Hence we must
accept that the work must have been amplified later. This is proved by various
statements still preserved in Mahabharatam itself by oversight or owing to the
absence of motives to expunge them. Even according to traditions there are
three beginnings in Mahabharatam. There are also statements giving different
lengths of the work, different types of division and different names.
(This blog post is a part of Blogchatter's #BlogchatterA2Z2023)
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