nmStSmE nmae r¼lúm[aþyyaeigne, ïImÖedaNtramanujaÄsavR}zailne.
vedvedaNttÅv}ae vedmaEilmuinïut>,
ïIr¼lúm[muin> siÚxÄa< sda ùid.
nm> ze;avtaray vEku{QpddizRne,
ïImÔamanujayaRy ïImiCD:yihtEi;[e.
jytu jytu s<ymINÔae=n"> ïImtae xImt> kezvacayR puÇayR
vyaeR=iolanNdkaé{yvara< inix> patu n> iz:ysNtarkae=hinRz<
ïIinix>; y}sUÇaiÉÉU:[u< iÇd{faÄhSt< lsTSvUXvRpu{f+< izoa
zeor< s<ymIna< pit< iv:[utÅvawRbaexàcarìt< vE:[vana< gué< sNtt< Tva< Éje. 1.
iïtjnpirpalken ïutInampawaRphÇaR maraixtanNtÉU
kaNtgaeivNdraq! r¼raq! devraq! yadvaÔIzramiàye[Ev pUta vym! ; ïImte ïImte> kaiNtmTya muoaMbaejsUyaRy kaÂIvra}Ýdevaix
raq!m¾nanItzalasuvaPyMbukuMÉay c ïImhapU[Rs<Skair
tayaStu zm!. 2.
hirpdkmlaiïtad! äüsUÇawRÉa:yaOyvEdGXys< Éaivt
ïIsraejasnIsTk&tïIyutat! Éa:ykaraiÉaxeya†te naip ka nae git> ; ïImdacayRpÂe_y @ixòsCD+Ibl} anêpayuraraeGy
saEOyaïyEñyRvEra Gyx&TyaidvgRàdSyae*tiZz:yÉaGyay
ÉKta Évamainzm!. 3.
duirtzmnpaÂjNya'!kuzïIrwa¼ XvjaMbaejv¿a'!ikt
ïIpdasetuhEmaiÔpyRNtsÂair[ aeSsMymINÔSy padarivNd
ÖyaenaeR Éra> ; paps<hark ! }andIpàdaïey ! zaNtSvêpa
iolanNtkLya[dat> ! kilXv<sk ! i¬òs<vark ! ïIytIna< pte ! he nmSte punSte nm>. 4.
;q!iÇ<zÌ[cr[ae nrpirpaQI ytINÔgu[prk>,
yitrajd{fkae=y< ivlstu vE:[vùdye;u svRda.
ivÉi´Éi´d> sae=y< saEMynaray[aeidt>,
ïIvE:[vtae;ay gItae ytINÔd{fk>.
vedaNtvavdUkay vedzaSÇivnaeidne,
nmae=icNTyay ytye ïI-r¼ramanujay te .
This is my own composition in praise of Saint SriRamanuja. It is set up in Dandaka metre with two NAGANAs and 34 RAGANAs according to the Sanskrit prosody. Nigamanta Desikan's Garuda Dandaka is well known in this style.
ReplyDeleteSri Ramanuja Swamy is a beacon of the equality and hope for the generations to come.
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